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"Per Nørgård"
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название:
автор:
альбомы: NORGARD: Viola Concerto, 'Remembering Child' / Between
Turning Point
автор:
Per Nørgård
альбомы: NORGARD: Viola Concerto, 'Remembering Child' / Between
рейтинг: ★★★★★ / 5.3 / 1320 просмотров
- Текст
- Открытка с текстом
I went down to the highway That runs between love and pride And I tried to get sideways Across the great divideBut my mind's eye's on the key ring Crying in misery 'Cause it won't spend one more evening Staring back at meIt might be by choice or a small inner voice, I can't say When you add up the cost, we all have a cross How do you write off the loss?Where do I go from here? How do I find my way? When is it loud and clear That there's no turning back, no looking back?Where do I go from here? Nobody gets away It's a new kind of fix for the poor and the rich You never know what's coming next at the turning pointThe rules are unwritten Nobody knows the deal Where have I been driven Are demons behind the wheel?Yeah, I know my days are numbered We're only flesh and bone And I've been left to wonder How it went so wrongIs it all tailor made, can the sinner be saved, I can't say So don't hang your hat on the knife in my back 'Cause nobody treats me like thatWhere do I go from here? How do I find my way? When is it loud and clear That there's no turning back, no looking back?Where do I go from here? Nobody gets away It's a new kind of fix for the poor and the rich You never know what's coming next at the turning pointWhere do I go from here? How do I find my way? When is it loud and clear That there's no turning back, no looking back?Where do I go from here? Nobody gets away When is it loud and clear That there's no turning back, no looking back?Where do I go from here? Nobody gets away It's a new kind of fix for the poor and the rich You never know what's coming next at the turning point
Это интересно:НЁРГОР Пер (р. 1932) - датский композитор. Ученик В. Хольмбу, Ф. Хёфдинга, Н. Булаиже. До 1960 находился в оппозиции к веяниям авангардизма, позже экспериментировал в области серийной и электронной музыки. Наиболее значительные произведения: сценическая оратория "Суд" (1962), оперы "Лабиринт" (1967) и "Гильгамеш" (1974, обе - Копенгаген).
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